European Financial Crisis - 1172 Words

Short paper report of EBE: â€Å"European Financial Crisis† [pic] Rob van persie IBMS PT 2009 Preface This report has been written as an assignment for IBMS student. I have chosen to research European financial crisis; which has underlined the difficulty of taking concerned action in Europe because its economies are far integrated than governing structures. My research was focused the world crisis but especially the financial crisis between European countries and the inconvenient for the rest of the world. Working on this report develops our knowledge about financial markets and business environment itself. It was challenging and interesting project. And also because, Mr. Rene van der Linden gave us the†¦show more content†¦They are also adopting fiscal measures to stimulate their economies and wrestling with failing banks. The financial crisis has demonstrated that financial markets are highly interdependent and that extensive networks link financial markets across national borders, which is pressing EU governments to work together to find a mutually reinforcing solution. Unlike the USA, where the federal government can legislate policies that are consistent across all states, the EU process gives each EU member a great deal of discretion to decide how they will regulate and supervise financial markets within their borders. We have to test this system as the EU and others search for a regulatory framework that spans a broad number of national markets. Governments that have expended considerable resources utilizing fiscal and monetary policy tools to stabilize the financial system and to provide a boost to their economies may be required to be increasingly more inventive in providing yet more stimulus to their economies and face political unrest in domestic populations. Conclusions and recommendations I can make a conclusion by saying that in EU area, there is a need to avoid protectionism in all its form, which can only exacerbate the effects of the crisis in the longer term. Also there must be sufficient liquidity in financial systems at the national, regional and globalShow MoreRelatedThe European Financial Crisis : The Monetary Crisis3268 Words   |  14 Pages2015 ECON 1312-6 The European Financial Crisis The European financial crisis has been an economic struggle for quite some time now. Because Europe’s economies are interdependent, when one gets out of balance the others are affected as well. One can argue, that the growing current account imbalances within the Euro area indicates an ongoing process of economic divergence rather than convergence. This is the foundation for why this debt crisis has been so difficult to solve. 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IS 490 Essay Example For Students

IS 490 Essay SPECIAL TOPICSComputer GraphicsMay 6, 1996Table of ContentsIntroduction3How It Was3How It All Began4Times Were Changing6Industrys First Attempts7The Second Wave10How the Magic is Made11Modeling12Animation13Rendering13Conclusion15Bibliography16Introduction Hollywood has gone digital, and the old ways of doing things are dying. Animation andspecial effects created with computers have been embraced by television networks,advertisers, and movie studios alike. Film editors, who for decades worked by painstakinglycutting and gluing film segments together, are now sitting in front of computer screens. There, they edit entire features while adding sound that is not only stored digitally, butalso has been created and manipulated with computers. Viewers are witnessing the results ofall this in the form of stories and experiences that they never dreamed of before. Perhapsthe most surprising aspect of all this, however, is that the entire digital effects andanimation industry is still in its inf ancy. The future looks bright. How It WasIn the beginning, computer graphics were as cumbersome and as hard to control as dinosaursmust have been in their own time. Like dinosaurs, the hardware systems, or muscles, ofearly computer graphics were huge and ungainly. The machines often filled entire buildings. Also like dinosaurs, the software programs or brains of computer graphics were hopelesslyunderdeveloped. Fortunately for the visual arts, the evolution of both brains and brawn ofcomputer graphics did not take eons to develop. It has, instead, taken only three decadesto move from science fiction to current technological trends. With computers out of thestone age, we have moved into the leading edge of the silicon era. Imagine sitting at acomputer without any visual feedback on a monitor. There would be no spreadsheets, no wordprocessors, not even simple games like solitaire. This is what it was like in the earlydays of computers. The only way to interact with a computer at that time was through toggleswitches, flashing lights, punchcards, and Teletype printouts. How It All Began In 1962, all this began to change. In that year, Ivan Sutherland, a Ph.D. student at (MIT),created the science of computer graphics. For his dissertation, he wrote a program calledSketchpad that allowed him t o draw lines of light directly on a cathode ray tube (CRT). Theresults were simple and primitive. They were a cube, a series of lines, and groups ofgeometric shapes. This offered an entirely new vision on how computers could be used. In1964, Sutherland teamed up with Dr. David Evans at the University of Utah to develop theworlds first academic computer graphics department. Their goal was to attract only the mostgifted students from across the country by creating a unique department that combined hardscience with the creative arts. They new they were starting a brand new industry and wantedpeople who would be able to lead that industry out of its infancy. Out of this unique mix ofscience and art, a basic understanding of computer graphics began to grow. Algorithms forthe creation of solid objects, their modeling, lighting, and shading were developed. Thisis the roots virtually every aspect of todays computer graphics industry is based on. Everything from desktop publishing to virtual reality find their beginnings in the basicresearch that came out of the University of Utah in the 60s and 70s. During this time,Evans and Sutherland also founded the first computer graphics company. Aptly named Evans ;Sutherland (E;S), the company was established in 1968 and rolled out its first computergraphics systems in 1969. Up until this time, the only computers available that couldcreate pictures were custom-designed for the military and prohibitively expensive. E;Sscomputer system could draw wireframe images extremely rapidly, and was the first commercialworkstation created for computer-aided design (CAD). It found its earliest customers inboth the automotive and aerospace industries. Times Were Changing Throughout its early years, the University of Utahs Computer Science Department wasgenerously supported by a series of research grants from the Department of Defense. The1970s, with its anti-war and anti-military protests, brought increasing restriction to theflows of academ ic grants, which had a direct impact on the Utah departments ability tocarry out research. Fortunately, as the program wound down, Dr. Alexander Schure, founderand president of New York Institute of Technology (NYIT), stepped forward with his dream ofcreating computer-animated feature films. To accomplish this task, Schure hired EdwinCatmull, a University of Utah Ph.D., to head the NYIT computer graphics lab and thenequipped the lab with the best computer graphics hardware available at that time. Whencompleted, the lab boasted over $2 million worth of equipment. Many of the staff came fromthe University of Utah and were given free reign to develop both two- and three-dimensionalcomputer graphics tools. Their goal was to soon produce a full -length computer animatedfeature film. The effort, which began in 1973, produced dozens of research papers andhundreds of new discoveries, but in the end, it was far too early for such a complexundertaking. The computers of that time were simply t oo expensive and too under powered, andthe software not nearly developed enough. In fact, the first full length computer generatedfeature film was not to be completed until recently in 1995. By 1978, Schure could no longerjustify funding such an expensive effort, and the labs funding was cut back. The ironicthing is that had the Institute decided to patent many more of its researchers discoveriesthan it did, it would control much of the technology in use today. Fortunately for thecomputer industry as a whole, however, this did not happen. Instead, research was madeavailable to whomever could make good use of it, thus accelerating the technologiesdevelopment. Industrys First AttemptsAs NYITs influence started to wane, the first wave of commercial computer graphics studiosbegan to appear. Film visionary George Lucas (creator of Star Wars and Indiana Jonestrilogies) hired Catmull from NYIT in 1978 to start the Lucasfilm Computer DevelopmentDivision, and a group of over half-dozen compu ter graphics studios around the country openedfor business. While Lucass computer division began researching how to apply digitaltechnology to filmmaking, the other studios began creating flying logos and broadcastgraphics for various corporations including TRW, Gillette, the National Football League, andtelevision programs, such as The NBC Nightly News and ABC World News Tonight. Althoughit was a dream of these initial computer graphics companies to make movies with theircomputers, virtually all the early commercial computer graphics were created for television. The Invisible Man Essay PaperHardware is the brains and brawn of computer graphics, but it is powerless without theright software. It is the software that allows the modeler to build a computer graphicobject, that helps the animator bring this object to life, and that, in the end, gives theimage its final look. Sophisticated computer graphics software for commercial studios iseither purchased for $30,000 to $50,000, or developed in-house by computer programmers. Most studios use a combination of both, developing new software to meet new project needs. Modeling Modeling is the first step in creating any 3D computer graphics. Modeling in computergraphics is a little like sculpting, a little like building models with wood, plastic andglue, and a lot like CAD. Its flexibility and potential are unmatched in any other art form. With computer graphics it is possible to build entire worlds and entire realities. Eachcan have its own laws, its own looks, and its own scale of time and space. Access to these 3-dimensional computer realities is almost always through the 2-dimensionalwindow of a computer monitor. This can lead to the misunderstanding that 3-D modeling ismerely the production perspective drawings. This is very far from the truth. All elementscreated during any modeling session possess three full dimensions and at any time can berotated, turned upside down, and viewed from any angle or perspective. In addition, theymay be re-scaled, reshaped, or resized whenever the modeler chooses. Modeling is the firststep in creating any 3-dimensional computer animation. It requires the artists ability tovisualize mentally the objects being built, and the craftspersons painstaking attention todetail to bring it to completion. To create an object, a modeler starts with a blank screenan sets the scale of the compute rs coordinate system for that element. The scale can beanything from microns to light years across in size. It is important that scale staysconsistent with all elements in a project. A chair built in inches will be lost in a livingroom built in miles. The model is then created by building up layers of lines and patchesthat define the shape of the object. AnimationWhile it is the modeler that contains the power of creation, it is the animator whoprovides the illusion of life. The animator uses the tools at his disposal to make objectsmove. Every animation process begins essentially the same way, with a storyboard. A storyboard is a series of still images that shows how the elements will move and interactwith each other. This process is essential so that the animator knows what movements needto be assigned to objects in the animation. Using the storyboard, the animator sets up keypoints of movements for each object in the scene. The computer then produces motion foreach object on a frame by frame basis. The final result when assembled, gives the form offluid movement. RenderingThe modeler gives form, the animator provides motion, but still the animation process is notcomplete. The objects and elements are nothing but empty or hollow forms without anysurface. They are merely outlines until the rendering process is applied. Rendering is themost computational time demanding aspect of the entire animation process. During therendering process, the computer does virtually all the work using software that has beenpurchased or written in-house. It is here that the animation finally achieves its finallook. Objects are given surfaces that make it look like a solid form. Any type of look canbe achieved by varying the looks of the surfaces. The objects finally look concrete. Next,the objects are lighted. The look of the lighting is affected by the surfaces of theobjects, the types of lights, and the mathematical models used to calculate the behavior oflight. Once the lighting is completed, it is now time to create what the camera will see. The computer calculates what the camera can see following the designs of the objects in thescene. Keep in mind that all the objects have tops, sides, bottoms, and possibly insides. Types of camera lens, fog, smoke, and other effects all have to be calculated. To createthe final 2-D image, the computer scans the resulting 3D world and pulls out the pixels thatthe camera can see. The image is then sent to the monitor, to videotape, or to a filmrecorder for display. The multiple 2D still frames, when all assembled, produce the finalanimation. ConclusionMuch has happened in the commercial computer graphics industry since the decline of thefirst wave of studios and the rise of the second. Software and hardware costs haveplummeted. The number of well-trained animators and programmers has increased dramatically. And at last, Hollywood and the advertising community have acknowledged that the digital agehas finally arrived, this time not to disappear. All these factors have lead to an explosionin both the size of existing studios and the number of new enterprises opening their doors. As the digital tide continues to rise, only one thing is certain. We have just begun to seehow computer technology will change the visual arts. BIBLIOGRAPHYHow Did They Do It? Computer Illusion in Film TV , Alpha Books 1994;Christopher W. BakerComputer Graphics World, Volume 19, Number 3; March 1996;Evan Hirsch, Beyond RealityComputer Graphics World, Volume 19, Number 4; April 1996;Evan Marc Hirsch, A Changing LandscapeWindows NT Magazine, Issue #7, March 1996;Joel Sloss, Theres No Business Like Show BusinessCinescape, Volume 1, Number 5; February 1995;Beth Laski, Ocean of Dreams16

A Night on the Lake essays

A Night on the Lake essays The story Greasy Lake written by T. Coraghessan Boyle had a special impact on me personally. I could relate to the characters and their rebel without a cause attitude. I was 19, thought I was bad, and there was nothing in the world that could stop me. Unfortunately I had a sobering incident at a lake similar to the guys in Greasy Lake. Like the characters, the setting of the lake where I got in trouble is going to have a sobering effect on me for the rest of my life. I was going to boarding school in Jacksonville, Florida at the time. My friends and I were young and we thought we were bad. Similar to the characters we would cruise the town at night looking for something to occupy our time, but we usually ended up at a local lake to just hang out. It was a place of refuge for us to relax and catch a high that would take us out of reality for sometime. Our reasoning for going to the lake was the same as the characters as the narrator explains here: We went up to the lake because everyone went there, because we wanted to snuff he rich scent of possibility on the breeze, watch a girl take off her clothes and plunge into the festering murk, drink beer, smoke pot, howl at the stars, savor the incongruous full-throated roar of rock and roll against the primeval susurrus of frogs and crickets. (129) The lake always provided a fun social atmosphere for my friends and I at the time, until the day it would change our lives forever. The night started out like any other night. I was with three of my friends that shared the same bad attitude as myself. We were cruising the strip looking for trouble without ever thinking of the consequences. We came to the conclusion that the best thing to do was go up to our lake, since it was a pretty dead night and we were sure to find some people up there. By the time we got to the lake we had a drank some alcohol and smoked a little pot, but to us this was ...

Free Essays on Produced Water Treatment

Produced Water Treatment – Future Technology Polymer modified bentonite or organoclay, ET Ventures - ET #1, made by binding amine polymer with bentonite clay, this converts the clay to an oil-wet, hydrocarbon adsorbent material. Able to adsorb 88% of its own weight in hydrocarbons and 100% by volume. Combined with granular activated carbon treatment gives non-detectable levels of pet. hc's ,oil and grease, and soluble hydrocarbons (EPA methods 418.1 ,413.2 & 8020 respectivley). Units are nearly maintenance free. Spent ET #1 has shown to adsorb volatile hydrocarbons tighly enough to pass the EPA’s TCLP test. This allows the product to be disposed of as non-hazardous waste. However until more experience is gained with the use of ET #1, operators should conduct their own TCLP test prior to disposal. The TCLP test, or the Toxicity Characteristic Leachate Procedure, is used to identify toxic chemicals capable of leaching into groundwater. The spent product can be returned to manufacturer for cost of freight. Alternatively, s ome manufacturers add activated carbon to the organoclay allowing the spent product to be burned as fuel in boilers. Research is still needed to prove this treatment method, for example, it is not know weather the product will concentrate heavy metals or weather the metals will be bound tight enough to pass the TCLP test. Because of the large volume of produced water, the cost of its management has a strong potential impact on the profitability of the domestic natural gas industry, and in some cases, the regulation of produced water disposal can shutdown production operations. Currently, about 60% of the produced water is disposed of through deep well injection at a cost of $0.50 to $1.75/bbl in wells that cost $400,000 to $3,000,000 to install. Furthermore, this option is coming under increasing regulatory scrutiny and is likely to be even more expensive in the future.Researchers at ANL have been using a new... Free Essays on Produced Water Treatment Free Essays on Produced Water Treatment Produced Water Treatment – Future Technology Polymer modified bentonite or organoclay, ET Ventures - ET #1, made by binding amine polymer with bentonite clay, this converts the clay to an oil-wet, hydrocarbon adsorbent material. Able to adsorb 88% of its own weight in hydrocarbons and 100% by volume. Combined with granular activated carbon treatment gives non-detectable levels of pet. hc's ,oil and grease, and soluble hydrocarbons (EPA methods 418.1 ,413.2 & 8020 respectivley). Units are nearly maintenance free. Spent ET #1 has shown to adsorb volatile hydrocarbons tighly enough to pass the EPA’s TCLP test. This allows the product to be disposed of as non-hazardous waste. However until more experience is gained with the use of ET #1, operators should conduct their own TCLP test prior to disposal. The TCLP test, or the Toxicity Characteristic Leachate Procedure, is used to identify toxic chemicals capable of leaching into groundwater. The spent product can be returned to manufacturer for cost of freight. Alternatively, s ome manufacturers add activated carbon to the organoclay allowing the spent product to be burned as fuel in boilers. Research is still needed to prove this treatment method, for example, it is not know weather the product will concentrate heavy metals or weather the metals will be bound tight enough to pass the TCLP test. Because of the large volume of produced water, the cost of its management has a strong potential impact on the profitability of the domestic natural gas industry, and in some cases, the regulation of produced water disposal can shutdown production operations. Currently, about 60% of the produced water is disposed of through deep well injection at a cost of $0.50 to $1.75/bbl in wells that cost $400,000 to $3,000,000 to install. Furthermore, this option is coming under increasing regulatory scrutiny and is likely to be even more expensive in the future.Researchers at ANL have been using a new...

Financial Analysis for Managers I Coursework Example | Topics and Well Written Essays - 750 words

Financial Analysis for Managers I - Coursework Example The rent of a warehouse where these pencils are stored is $100; hence it is a fixed cost. $100 would still need to be paid whether 10 pencils are stored there or 1000 pencils. Thus with a change in production, the fixed costs remain unmoved. Cost-Volume-Profit (CVP) analysis is a managerial accounting tool that helps to identify a relationship between the cost, profit and sales volume. It is used to 1) determine the level of output required to achieve any target profit level or 2) to find the impact changes in costs to the profitability. (Mowen & Hansen, 2005) In CVP analysis, 'break even' means to produce goods at such a quantity where there is no-profit and no-loss. It is a position where the company incurs exactly the same amount that it generates from the sales. (Mowen & Hansen, 2005) A direct cost is that cost that can be directly attributable to a specific unit of product or with a specific operation relating to production. On the other hand, an indirect cost is a fixed or overhead cost that does not relate to the production of a particular item and is incurred even when there is no output. (PHB, 2005) The core activity of an accounting teaching class is to educate the students. Therefore all those items that directly relate to the educational process of accounting would be direct costs and those that do not relate to the educational process of accounting would be treated as indirect costs. The salary paid to the accounting teacher and the costs of accounting books will be direct costs since they directly relate to the teaching of the accounting course. The costs of lighting, electricity, janitorial services, etc. would be indirect costs since they just aid in the teaching process but are not directly related to teaching the course. 5. How can out-of-pocket costs and opportunity costs be applied to your personal financial decisions Out of pocket costs and opportunity costs can be applied to an individual's personal financial decisions by comparing both of these costs. If the benefit of playing an hour of football is more that the benefit of studying for an hour, then the individual should use that hour to play football. If one hour is being spent each day at a tuition center which costs $50/hour for a 4 day week, it would cost $800 for a month using up 16 hours. If these 16 hours are used for other work like taking a horse riding lesson which is $400/month, then financially taking horse riding lesso

What are the The Possible Contributors to the Great Recession in Essay

What are the The Possible Contributors to the Great Recession in relation with Mortgage - Essay Example Starting as a liquidity crisis which can be in a layman term defined as, â€Å"A state in which there is a short supply of cash to lend to businesses and consumers and interest rates are high.† (Caouette, 25) This gravely caused an imbalance that resonated great economic crisis all around the world. This global crisis also gave a room to policy makers to intervene, as it was being quite difficult for the economic experts to handle this situation. However, the after effects of the Great Recession are still perpetuating in the global economy and have also limited the economic growth in 2012-2013 and have not completely recovered from the Great Recession. How Great Recession was stimulated? The major causes of the Great Recession date back to the start of 2007, however, the world wasn’t fully aware of the crisis until mid-2008, which could also be the main reason why it couldn’t recover from the crisis because it took a lot of time to look into what caused this cris isand rectify it. The root cause can be highlighted as the decline in the US consumers’ demand because of the gradual decrease in the Federal Reserve’s interest which was predicted to reach nearly zero and it was believed to occur by the year 2008, therefore they could not provide debts for people who called for refinancing. What triggered the economic crisis on a level of instability was the breakdown of mortgage-backed security. Moving on, another cause that resulted in this crisis can be pointed as the massive debt levels, which has long been acknowledged as an agent and a contributive factor for recessions that further led to the domino effect and perturbed the entire economic situation. Other causes were believed to be Government deregulation, over-leveraging, credit default swaps, collateralizing debt obligations, increase in the oil prices, and overproduction of goods as resulted by the Globalization. These were the main factors due to which the process of the e conomic crisis was accelerated. What Great Recession resulted in? The three regions globally affected by the Great Recession were Household, Income and Labor Dynamics in economy of Australia being an adequate example. The rate of employment was gravely affected which could also be noticed in the survey conducted in late 2009, which showed a high rate of job dismissals from 3.5% in 2008 to 5.4% in 2009. The types of workers that were affected due to this as usually suspected to be are the low-skilled workers and labors working in the informal sector, instead it was the working who were the full-time employers relating to skilled occupations. Globally, the Trade & Industrial production went through a complete manufacturing crisis. Environment was adversely affected and the rate of pollution increased as the industrial emissions gradually sped up. Unemployment increased in the US as the employment rate then was 4.9%. Tourism, insurance, small-business lending and political instability stimulated throughout the globe because of the economic and financial crisis. Mortgage Lending Practices – How they were affected? Mortgage loan can be defined as, â€Å"A loan on real estate that is usually secured by a mortgage.† (Jacobus& Thomas, 567). This could also be used as a generic term for loan. Demand is absent in recessionary periods so the interest rates are brought down to trigger it, lower interest rates entice people to get new mortgages and previous ones refinanced at a lower rate. Real estate lending crisis was triggered by the subprime lending mechanism, i.e. below normal rates. Financial institutions offered real estate at

A Good Man is Hard to Find Essay Example for Free

A Good Man is Hard to Find Essay The grandmother identifies herself as a southern lady based on appearance, money, and background. She is the main character in this short story and also the only character that the narrator actually shows into the mind of. The grandmother is the reason for the title of this story because she repeats throughout the story about a â€Å"good man†, when there really is no good man in this whole story. The grandmother also is used in many ways to foreshadow the upcoming events in the story; such as â€Å"In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady† (O’Connor 354) The grandmother is identified by appearance in that she compares the way she is dressed to the way the mother is dressed. The mother is told to be dressed in â€Å"slacks and still had her green kerchief† and the grandmother describes herself as having â€Å"on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print† (O’Connor 354). She wanted to make sure that â€Å"anyone seeing her dead on the highway would know at once that she was a lady† (O’Connor 354). Money is something important to the grandmother that we can also identify her by. The grandmother thought very highly of Mr. Teagarden because she says that June Star â€Å"would have done well to marry Mr. Teagarden because he was a gentleman and had bought Coca-Cola stock when it first came out and that he had died only a few years ago, a very wealthy man† (O’Connor 355). Red Sam is a â€Å"good man† in the grandmother’s eyes, which is probably because he is a wealthy owner of his own store (O’Connor 356). Where the grandmother is from and how she is raised is also a big part in identifying her. In the beginning of the story, the grandmother describes how she wants to go to Tennessee for their vacation instead of Georgia. When John Wesley says something about it, the grandmother gets defensive over where she grew up, she says to him â€Å"I wouldn’t talk about my native country that way† (O’Connor 354). Later in the story, the mother goes to a jukebox and plays â€Å"The Tennessee Waltz† kind of just to rub it in to the grandmother  that they were not, in fact, going to Tennessee. Another time in the story, the grandmother says that she recognizes where they were while on the way to Georgia. But it turns out, she was just recalling when she was in Tennessee â€Å"when she was a young lady† (O’Connor 357). Flannery O’Connor is such a good author, and that shows especially in this piece. She identifies the grandmother through appearance, money, and background. Appearance, such as the way she compares herself to the mother, how she talks about how Mr. Teagarden was â€Å"very-good looking†, and talking about the Misfit’s crew and their attire. Outline I. Introduction: The grandmother identifies herself as a southern lady based on appearance, money, and background. She is the main character in this short story and also the only character that the narrator actually shows into the mind of. The grandmother is the reason for the title of this story because she repeats throughout the story about a â€Å"good man†, when there really is no good man in this whole story. The grandmother also is used in many ways to foreshadow the upcoming events in the story; such as â€Å"In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady.† II. Appearance: The grandmother is identified by appearance in that she compares the way she is dressed to the way the mother is dressed. The mother is told to be dressed in â€Å"slacks and still had her green kerchief† and the grandmother describes herself as having â€Å"on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print.† She wanted to make sure that â€Å"anyone seeing her dead on the highway would know at once that she was a lady.† III. Money: Money is something important to the grandmother that we can also identify her by. The grandmother thought very highly of Mr. Teagarden because she says that June Star â€Å"would have done well to marry Mr. Teagarden because he was a gentleman and had bought Coca-Cola stock when it first came out and that he had died only a few years ago, a very wealthy man.† Red Sam is a â€Å"good man† in the grandmother’s eyes, which is probably because he is a wealthy owner of his own store. IV. Background: Where the grandmother is from and how she is raised is also a big part in identifying her. In the beginning of the story, the grandmother describes how she wants to go to Tennessee for their vacation instead of Georgia. When John Wesley says something about it, the grandmother gets defensive over where she grew up, she says to him â€Å"I wouldn’t talk about my native country that way.† Later in the story, the mother goes to a jukebox and plays â€Å"The Tennessee Waltz† kind of just to rub it in to the grandmother that they were not, in fact, going to Tennessee. Another time in the story, the grandmother says that she recognizes where they were while on the way to Georgia. But it turns out, she was just recalling when she was in Tennessee â€Å"when she was a young lady.† V. Conclusion: Flannery O’Connor is such a good author, and that shows especially in this piece. She identifies the grandmother through appearance, money, and background. Works Cited: O’Connor, Flannery. â€Å"A Good Man is Hard to Find.† Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. X.J. Kennedy and Gioias eds. Pearson: New York, 2012. 352-365. Print.